Singer and songwriter Rebecca Carlson was born and raised in the small town of Milford, Iowa. Both her parents were music lovers. From an early age she was singing gospel with her entire family, and she credits this with instilling in her a great passion for music and a highly developed ear for harmony and melody. She also would lose herself in her father’s immense collection of vinyl LPs, where she got a ‘home-schooling’ like no other -everything from classic blues, jazz, rock, country and soul. She was influenced by vocalists Sarah Vaughan, Nina Simone, Linda Ronstadt and Karen Carpenter.

Rebecca was singing professionally while still in her teens, performing jazz and blues standards at local venues. At Waldorf College in Forest City IA, she studied voice and theater. This led to a stint in NYC where she performed in repertory theater and nightclubs.

In Tucson AZ, Rebecca’s powerhouse vocal style quickly established her as a high-profile and in-demand performer. For fifteen years she maintained a steady recording and touring schedule throughout the Southwestern US. She was a founding member of original blues acts The Jane Crowe Band and 22 Black, all the while maintaining her Jazz and Standards catalog at local nightclubs and theaters. Rebecca expanded her regional reputation and following considerably when she joined the ranks of Tucson’s heavyweights, recording and performing with the hi-energy Soul/R&B act The Socials as she continued to record and perform in Tucson.

Rebecca relocated to Los Angeles in 2019, intending to pursue and focus on her songwriting and her solo career. In LA Rebecca met award-winning guitarist/producer Doug Hamblin. Doug’s past work includes classic artists such as Stephen Stills, Johnny Rivers and ‘Southside Johnny’ Lyon. Rebecca and Doug began writing and recording and were immediately excited about the results. The sessions were very productive in a five-month collaboration they finished an album’s worth of all-new original material. The music covers a broad scope of classic American styles.

Upon her move to Nashville, Rebecca teamed up with coveted bassist Jimmy Sullivan to do what she does best. As a singer, Rebecca has developed a formidable turn of phrase -sometimes surreal, fanciful and wry, other times achingly intimate and heartfelt—all anchored by her knockout punch of a voice.

Pianist Bruce Dudley with vocalist Monica Ramey, bassist Roger Spencer and drummer Larry Aberman.

Bruce Dudley is a Steinway Concert Artist and has been performing jazz piano for over 40 years on concert stages, in clubs, and private residences throughout North and South America. He specializes in the Great American Songbook, as well as in the rich history of American jazz styles, from Ragtime and Stride to Modernism, Post Modernism, and performance of original music. In addition to his work as a solo artist, he leads a trio, quartet, and larger ensembles, with horns and/or strings, while also enlisting the award winning voice of his wife, Sandra Dudley. An active educator, Dudley has presented clinics across Canada, the United States, and in Colombia, South America. His recordings as a leader include DPSW Quartet - Live at the Cave (2019), The Solo Sessions (2012), Mostly Monk (2010), and Semblance (1997). Dudley has also performed with artists Aretha Franklin, Crystal Gayle, Nelson Riddle Orchestra, Herb Ellis, Randy Brecker, Little Anthony and the Imperials, the Ink Spots, and has played keyboards for over 35 touring Broadway shows, including Beautiful, Wicked, Jersey Boys, Guys and Dolls, Grease, Fiddler on the Roof, Legally Blonde, among others. Bruce Dudley has published articles for Downbeat magazine and presented scholarly research at conferences in the Netherlands, Canada, and the United States. His book 25 Piano Etudes in Idiomatic Styles was published in 2021 by Keuka Waters Music. Dudley is Associate Professor of Music at Belmont University. He has a Doctorate of Musical Arts from the University of Colorado, a Master of Music in Jazz Performance from the Eastman School of Music, and a Bachelor of Science in Music Business and Technology from New York University.

"As the leader, Dudley set the evening’s tone with a supple, rich blend of assertive melodic statements, delightful accompaniment, first-rate phrasing, counterpoint and harmonizing." Ron Wynn - ArtsNash

"Dudley, whose fluent lines jet around the keyboard, absorbing motifs into the stream, without a split second of hesitation, at any point of rhythm in the bar, are stunning to listen to…" HALIFAX CHRONICLE HERALD

"Dudley plays the piano with such grace and authority that he has quietly become the pianists that other pianists go to hear." HOUSTON POST

"Now that the trend of aging rockers cutting albums of show tunes and standards seems thankfully to have run its course, we're back to vocalists with a real feel for and understanding of the jazz tradition doing them justice. Nashville's Monica Ramey is a shining example. Her excellent release Make Someone Happy offers resourceful, soaring and engaging interpretations of material from The Great American Songbook." -Ron Wynn, Nashville Scene

This kind of reaction is a reoccurring theme in the case of Midwest native Monica Ramey and artists like Beegie Adair, Mandy Barnett, Jeff Coffin, Jeff Steinberg, Annie Sellick, Roger Spencer, Rod McGaha, Anthony Wilson, Michael Feinstein and Lori Mechem are just a few who are singing her praise. Monica is a native of Francesville, one of Indiana’s smallest towns. As a child, Monica would sing and dance on stage with her mother’s high school show choir. She’s studied music since she was a child and after college graduation, she moved to Nashville to pursue her singing career, where she discovered the Nashville Jazz Workshop, studying under some of Nashville finest jazz musicians as well as create a family away from home.

Monica is best known for her longstanding musical relationship with jazz pianist Beegie Adair. Together, they appeared on and produced multiple recordings together and played sold out jazz clubs across the US, most often Birdland Jazz Club in New York. When not performing, Monica operates Adair Music Group, LLC and enjoys spending time with her loved ones and animals, traveling, cooking and gardening. Monica supports various animal, music and human rights organizations.

Originally from Terre Haute, Indiana, Roger Spencer has had an extensive musical career. He has performed, traveled and recorded with such artists as Les Brown and His Band of Renown, Harry James, Rosemary Clooney, Sam Butera, Tony Bennett, Ray Conniff, Eddie “Lockjaw” Davis, Terry Gibbs, Buddy DeFranco and Carl Fontana. He and his wife Lori Mechem moved to Nashville in 1988 where he records, performs, and teaches. Roger attended Indiana University, studying under David Baker in Jazz Studies, and graduated from Indiana State with a Bachelor of Music Education degree. Besides performing and recording with Lori, Roger is a longtime member of the Beegie Adair Trio, and is also on the faculty at Vanderbilt’s Blair School of Music. Roger and Lori founded and direct the Nashville Jazz Workshop, where Roger teaches improvisation, theory, and ensembles.

Larry Aberman is a drummer whose career has taken him from the stage of Avery Fisher Hall as a percussion soloist with the NY Philharmonic to the studios of Memphis to record the Grammy winning CD “Family Style” with Stevie Ray and Jimmie Vaughan. As an eleven-year-old student of Armand Santarelli in Philadelphia, PA, Larry decided immediately a career in music was what he aspired to. Upon moving to New York City at 15 he enrolled in The High School of Music and Art and began a life long study with jazz and percussion educator Justin DiCioccio. It was off to The Eastman School of Music for college where he studied percussion with John Beck. At Eastman, Larry recorded the Grammy Nominated CD “Carnival” with Wynton Marsalis and the Eastman Wind Ensemble. In addition to his orchestral studies, Larry was the drummer in the Eastman Jazz Ensemble, with whom he won best jazz soloist awards from Downbeat Magazine. When he got back to NY he was prepared for “whatever.” Be it performing with the Mark Morris Dance Company, recording CD’s with David Mann and Jeff Beal, playing Broadway shows or touring with rock artists Pierce Turner and Grayson Hugh, Larry got to work.

Next up were associations with producers Nile Rodgers, Bernard Edwards and Russ Titelman which led to album work with The Vaughan Brothers, Ric Ocasek, David Lee Roth, Lionel Richie, Adam Ant, Grayson Hugh as well as performances with Nile, Howard Hewitt, Miki Howard, Dianne Reeves, Nick Lowe and John Hiatt. In LA Larry enjoyed the weather as well as his diverse career. In addition to composing and recording music for jingles, movie soundtracks and television, he recorded with Ben Harper, Daniel Lanios, Aaron Neville, Paul Williams, Wil Jennings, Joe Sample, Wild Orchid, Jennifer Paige, Danielle Brisebois, New Radicals, John Taylor (Duran Duran), Micheal Sembello, Kelly Willis and Bob Clearmountain. Some recent live performances include Hiram Bullock, Ivan Neville, Simon Lebon and John Taylor of Duran Duran and in the studios with Marcus Miller, Dean Parks, Lenny Castro and others.

A Nashville favorite on the Salsa and jazz scene and electric night of Salsa dancing! Multi-instrumentalist Giovanni Rodriguez, one of Nashville's leading percussionists, bassists and favorite on the Salsa and jazz scene, plays the sounds of salsa, bachata and percussion-driven rhythms with some of the most seasoned veterans in the Nashville Latin music scene. Giovanni Rodríguez timbales/vocals, Melvin Macias (piano/vocals), Yosvany Cordero (conga/bongo), Michael S. Morton (flute/vocals), Isoel Villarrubia (bass).

For this show general admission tickets are available for standing and sitting in the front section of the room near the stage with the dance floor. Tickets for bar seats and tables are available as well. General admission tickets for the front section are not guaranteed to have seats as we will have a large part of the front section seating cleared for the dance floor. General admission tickets will have standing room as well as limited seating. Only our tables and bar seats will have guaranteed seating for this show.