TONIGHT'S SHOWS
Jimmy Sullivan's Swingin' Scene
6:00pm-8:15pm, $12 in advance, $14 at the door
Experience electrifying, hard-swinging jazz led by one of Nashville's most exciting bassists. Nashville’s own Jimmy Sullivan has been captivating audiences for years with his bi-monthly residency at Rudy’s Jazz Room! Born and raised in Reston Virginia, Jimmy studied jazz performance at Virginia Commonwealth University and spent years in New York City before making his mark in Nashville. Blending East Coast jazz and Southern soul, he's earned his spot as one of the Music City's premier bassists.
A versatile powerhouse, Jimmy has shared the stage with top-tier jazz talents like Laila Biali, Nicole Zuraitis, Joel Frahm, and Alyssa Allgood. His musicality and feel have also caught the ears of country and Americana legends including Lee Ann Womack, Mark Collie and Ashley Campbell. He's also known for his work with the genre-blending jazz collective Postmodern Jukebox.
Backed by a rotating cast of world-renowned musicians, Jimmy leads a show that's as musically rich as it is joyfully unpredictable. Whether wowing the room with his solos, stepping out front to sing, or keeping the crowd laughing with his off-the-cuff charm, Jimmy’s presence is always inspired — and always worth the listen. Don’t miss the chance to catch one of the most entertaining and swinging shows Nashville has to offer.
A versatile powerhouse, Jimmy has shared the stage with top-tier jazz talents like Laila Biali, Nicole Zuraitis, Joel Frahm, and Alyssa Allgood. His musicality and feel have also caught the ears of country and Americana legends including Lee Ann Womack, Mark Collie and Ashley Campbell. He's also known for his work with the genre-blending jazz collective Postmodern Jukebox.
Backed by a rotating cast of world-renowned musicians, Jimmy leads a show that's as musically rich as it is joyfully unpredictable. Whether wowing the room with his solos, stepping out front to sing, or keeping the crowd laughing with his off-the-cuff charm, Jimmy’s presence is always inspired — and always worth the listen. Don’t miss the chance to catch one of the most entertaining and swinging shows Nashville has to offer.
Rudy's Jazz Jam
9:00pm-11:15pm, $12 at the door
Rudy's hosts the official pro jazz jam. Come out and experience some of music city's best as they take the stage with Nashville's next generation of jazz performers! You will hear a variety of young, old, new and undiscovered players showing what they can do on stage. Part of the jazz tradition and what jazz embodies is the unknown and spontaneous exploration of new musical territory with new musicians sitting in live on stage; you never know who or what to expect other than the unexpected!
We welcome all ages to this show and have a $10 food or beverage minimum.
We welcome all ages to this show and have a $10 food or beverage minimum.
UPCOMING SHOWSFULL CALENDAR
Oct 12

The Joshua Constantine Quartet
6:00pm-8:15pm central, $12 at the door
Joshua Constantine is a tenor saxophonist from Birmingham Alabama. Joshua is a former member of the prestigious and Grammy-nominated UNT One O’Clock Lab Band®, and student of world-renowned saxophonist Brad Leali. Along with his musical success, Joshua has gained a considerable following on social media and Youtube with his cover of “Just the Two of Us” reaching over 3 Million views! Joshua is currently an active performer and professor in the Nashville music scene.
Striving to honor the history of jazz music, Joshua intends to provide Rudy’s Jazz Room with an enriching and spiritual experience by playing the works of great composers such as John Coltrane, Thelonious Monk, Wayne Shorter, Duke Ellington. In his efforts to invest in the future of jazz, Joshua intends to perform his very own original compositions.
Joshua Constantine - Tenor Saxophone
Sam Smith - Bass
Danny McGonegle - Drums
Daniel Mandrychenko - Guitar
Striving to honor the history of jazz music, Joshua intends to provide Rudy’s Jazz Room with an enriching and spiritual experience by playing the works of great composers such as John Coltrane, Thelonious Monk, Wayne Shorter, Duke Ellington. In his efforts to invest in the future of jazz, Joshua intends to perform his very own original compositions.
Joshua Constantine - Tenor Saxophone
Sam Smith - Bass
Danny McGonegle - Drums
Daniel Mandrychenko - Guitar
Giovanni Rodriguez & 12 Manos
9:00pm-11:15pm central, $15 at the door
A Nashville favorite on the Salsa and jazz scene and electric night of Salsa dancing! Multi-instrumentalist Giovanni Rodriguez, one of Nashville's leading percussionists, bassists and favorite on the Salsa and jazz scene, plays the sounds of salsa, bachata and percussion-driven rhythms with some of the most seasoned veterans in the Nashville Latin music scene. Giovanni Rodríguez timbales/vocals, Melvin Macias (piano/vocals), Yosvany Cordero (conga/bongo), Michael S. Morton (flute/vocals), Isoel Villarrubia (bass).
For this show general admission tickets are available for standing and sitting in the front section of the room near the stage with the dance floor. Tickets for bar seats and tables are available as well. General admission tickets for the front section are not guaranteed to have seats as we will have a large part of the front section seating cleared for the dance floor. General admission tickets will have standing room as well as limited seating. Only our tables and bar seats will have guaranteed seating for this show.
For this show general admission tickets are available for standing and sitting in the front section of the room near the stage with the dance floor. Tickets for bar seats and tables are available as well. General admission tickets for the front section are not guaranteed to have seats as we will have a large part of the front section seating cleared for the dance floor. General admission tickets will have standing room as well as limited seating. Only our tables and bar seats will have guaranteed seating for this show.
Oct 14

Pat Bergeson Organ Trio feat.Charles Treadway
6:00pm-8:15pm central, $15 at the door
Guitar and harmonica virtuoso Pat Bergeson leads a powerhouse organ trio featuring Nashville Hammond organ master Charles Treadway and drummer Chris Brown, bringing together jazz, blues, soul and deep-groove organ trio traditions.
Guitarist and harmonica player Pat Bergeson grew up in Batavia, Illinois, studied music at the University of Illinois and jazz at William Paterson University, and spent ten years honing his craft in New York City before Chet Atkins brought him to Nashville in the early 1990s after hearing him on a demo tape. Bergeson went on to record and tour with Atkins and was featured on projects including Sneakin’ Around with Jerry Reed and Read My Licks. Equally accomplished on guitar and both diatonic and chromatic harmonica, Bergeson has built a remarkably diverse career spanning jazz, blues, country, soul and pop, performing and recording with artists including Lyle Lovett, Dolly Parton, Alison Krauss, Michael McDonald, Tommy Emmanuel, Bill Frisell, Joey DeFrancesco, Benny Golson, Madeleine Peyroux, Suzy Bogguss, Peter Frampton and many others. He has also toured extensively with Lyle Lovett’s Large Band and Madeleine Peyroux and remains one of Nashville’s most versatile and respected instrumentalists.
Charles Treadway is one of Nashville’s premier Hammond organists, known for a soulful, groove-driven style rooted in the great jazz, blues, funk and R&B organ traditions of Jimmy Smith, Jimmy McGriff and Joey DeFrancesco. A longtime fixture in Nashville’s music scene, Treadway has performed with leading jazz and blues musicians including guitarist Jack Pearson and spent years as a member of the deep-funk group The Dynamites featuring legendary Nashville soul singer Charles “Wigg” Walker. Treadway and Walker continued their musical partnership through regular organ-trio performances, and Treadway later became a key creative force behind Walker’s acclaimed album This Love Is Gonna Last, serving as a longtime musical collaborator, organist, producer and co-writer. His command of the Hammond B3, deep pocket and improvisational fire have made him a sought-after player across Nashville’s jazz, blues and soul communities.
Pat Bergeson – guitar & harmonica
Charles Treadway – Hammond organ
Chris Brown – drums
Guitarist and harmonica player Pat Bergeson grew up in Batavia, Illinois, studied music at the University of Illinois and jazz at William Paterson University, and spent ten years honing his craft in New York City before Chet Atkins brought him to Nashville in the early 1990s after hearing him on a demo tape. Bergeson went on to record and tour with Atkins and was featured on projects including Sneakin’ Around with Jerry Reed and Read My Licks. Equally accomplished on guitar and both diatonic and chromatic harmonica, Bergeson has built a remarkably diverse career spanning jazz, blues, country, soul and pop, performing and recording with artists including Lyle Lovett, Dolly Parton, Alison Krauss, Michael McDonald, Tommy Emmanuel, Bill Frisell, Joey DeFrancesco, Benny Golson, Madeleine Peyroux, Suzy Bogguss, Peter Frampton and many others. He has also toured extensively with Lyle Lovett’s Large Band and Madeleine Peyroux and remains one of Nashville’s most versatile and respected instrumentalists.
Charles Treadway is one of Nashville’s premier Hammond organists, known for a soulful, groove-driven style rooted in the great jazz, blues, funk and R&B organ traditions of Jimmy Smith, Jimmy McGriff and Joey DeFrancesco. A longtime fixture in Nashville’s music scene, Treadway has performed with leading jazz and blues musicians including guitarist Jack Pearson and spent years as a member of the deep-funk group The Dynamites featuring legendary Nashville soul singer Charles “Wigg” Walker. Treadway and Walker continued their musical partnership through regular organ-trio performances, and Treadway later became a key creative force behind Walker’s acclaimed album This Love Is Gonna Last, serving as a longtime musical collaborator, organist, producer and co-writer. His command of the Hammond B3, deep pocket and improvisational fire have made him a sought-after player across Nashville’s jazz, blues and soul communities.
Pat Bergeson – guitar & harmonica
Charles Treadway – Hammond organ
Chris Brown – drums
Regi Wooten & Friends
9:00pm-11:15pm central, $15 at the door
Known as “The Teacha”, Regi Wooten is one of the most innovative, talented and dynamic musicians around the scene, and has pushed the boundaries of jazz, funk, soul, R&B, rock, and even bluegrass to some of the most extreme musical limits. From picking, slapping, strumming, thumping, and tapping to some of the most ear bending advanced chords you’ll hear on any instrument, Regi has earned world-wide notoriety and comparisons to other innovators such as Jimi Hendrix, Frank Zappa and Chuck Berry. Perfecting, creating and discovering new techniques and jazz theory while incorporating and layering into strong funk grooves for keen listeners to uncover and pick up on is one of his many notable fortes.
At only nine years old Regi started teaching his younger brother Victor Wooten bass guitar and Joseph Wooten keyboards, and soon the Wooten Brothers Band was formed featuring; Regi on ukelele, Roy on drums, Rudy on Saxophone, Joe on Keys and Victor on bass. Regi was ten years old at the time, Roy was nine, Rudy was eight, Joseph was five and Victor was two. The rest, as they say, is Musical History.
Assembling a cast of Nashville's best, Regi Wooten and Friends dig deep into the roots of funk, jazz, blues, rock, and soul. You never know who might jump on stage! Don't miss a beat!
At only nine years old Regi started teaching his younger brother Victor Wooten bass guitar and Joseph Wooten keyboards, and soon the Wooten Brothers Band was formed featuring; Regi on ukelele, Roy on drums, Rudy on Saxophone, Joe on Keys and Victor on bass. Regi was ten years old at the time, Roy was nine, Rudy was eight, Joseph was five and Victor was two. The rest, as they say, is Musical History.
Assembling a cast of Nashville's best, Regi Wooten and Friends dig deep into the roots of funk, jazz, blues, rock, and soul. You never know who might jump on stage! Don't miss a beat!
Oct 15

Hot Club Happy Hour - Gypsy Jazz Thursdays
6:00pm-8:15pm central, $14 in advance, $15 at the door
Every Thursday we honor our New Orleans and French roots and Rudy’s comes alive with a variety of small groups in the style of gypsy jazz swing. We bring you music inspired by Django Reinhardt and Stephane Grappelli with "Hot Club" gypsy jazz swing. Known for fierce tempos and effortless improvisation, our Hot Club Gypsy Thursdays are sure to entertain, inspire, and bring you back to some authentic "jazz manouche" with groups either led or curated by New Orleans LA native Brook Sutton.
There’s no better place to chill, cozy up and relax after work. Imbibe French Quarter inspired cocktails or a glass of Côtes du Rhône, and enjoy some gumbo and beignets, while listening to the rhythm and mood of hot club jazz in Nashville’s most intimate and romantic room.
There’s no better place to chill, cozy up and relax after work. Imbibe French Quarter inspired cocktails or a glass of Côtes du Rhône, and enjoy some gumbo and beignets, while listening to the rhythm and mood of hot club jazz in Nashville’s most intimate and romantic room.
Rougarou 7-Piece New Orleans Brass Band
9:00pm-11:15pm central, $15 in advance, $17 at the door
The French Quarter landed in the Gulch and it's a party on the 1st & 3rd Thursday every month 9pm at Rudy's with the Rougarou 7-piece New Orleans brass band! Nashville's only dedicated brass band night for New Orleans music.
The Rougarou Brass Band is a Nashville-based, New Orleans–inspired ensemble built around a rotating lineup of some of the city’s most in-demand musicians. Founded and led by Brook Sutton (bass, sousaphone, tuba) and Chris Walters (piano, musical direction), the group blends the deep traditions of New Orleans brass music with a flexible, modern approach to instrumentation and performance.
At the heart of the crew, you’ll catch Jérôme Degey (guitar) laying down some swampy grease, Chris Brown (drums) second-lining like he’s born to it, Andrew Carney (trumpet) with bright, brassy fire, Josh Scalf (trombone) sliding and growling in the pocket, and Chris West (saxophone) testifying on the horn. Together, they cook up a sound that is like a second line rolling down Frenchmen Street—loose, loud, and built to move.
Rougarou isn’t a stiff, stand-still outfit—it’s a living, breathing krewe. Some nights it’s a lean street-band setup with the tuba booming and the drums cracking, other nights it stretches out with a full stage presence. Either way, it’s all about the groove, that sweat, and that feeling you get when the band hits just right and the whole room (or street) starts moving together.
Freezer Sazerac drink specials, red beans and rice, gumbo and shrimp po-boys and other New Orleans fare! Service industry workers show any documentation or evidence online of your employer at the door for our 1/2 price SIN door ticket discount and 1/2 price draft beer!
The Rougarou Brass Band is a Nashville-based, New Orleans–inspired ensemble built around a rotating lineup of some of the city’s most in-demand musicians. Founded and led by Brook Sutton (bass, sousaphone, tuba) and Chris Walters (piano, musical direction), the group blends the deep traditions of New Orleans brass music with a flexible, modern approach to instrumentation and performance.
At the heart of the crew, you’ll catch Jérôme Degey (guitar) laying down some swampy grease, Chris Brown (drums) second-lining like he’s born to it, Andrew Carney (trumpet) with bright, brassy fire, Josh Scalf (trombone) sliding and growling in the pocket, and Chris West (saxophone) testifying on the horn. Together, they cook up a sound that is like a second line rolling down Frenchmen Street—loose, loud, and built to move.
Rougarou isn’t a stiff, stand-still outfit—it’s a living, breathing krewe. Some nights it’s a lean street-band setup with the tuba booming and the drums cracking, other nights it stretches out with a full stage presence. Either way, it’s all about the groove, that sweat, and that feeling you get when the band hits just right and the whole room (or street) starts moving together.
Freezer Sazerac drink specials, red beans and rice, gumbo and shrimp po-boys and other New Orleans fare! Service industry workers show any documentation or evidence online of your employer at the door for our 1/2 price SIN door ticket discount and 1/2 price draft beer!
Oct 16

The Blair Jazz Trio w/ Pat Coil, Dan Hitchcock, Rob Linton & Marc Widenhofer
5:30pm-7:15pm central, $14 in advance, $15 at the door
Four distinguished members of the Blair School of Music faculty come together for an evening of jazz, bringing a wealth of performing, recording, touring and teaching experience to the Rudy’s stage. Pianist Pat Coil, saxophonist Dan Hitchcock, bassist Rob Linton and drummer Marc Widenhofer each balance active professional careers with their work educating the next generation of musicians at Vanderbilt University’s Blair School of Music.
Pianist Pat Coil is a member of the faculty at Vanderbilt University’s Blair School of Music and has toured throughout Japan, South America, Europe and the U.S. with artists including Michael McDonald, Carmen McRae, Olivia Newton-John, Amy Grant, Vince Gill and Woody Herman. His extensive recording credits include Natalie Cole, Trisha Yearwood, Ernie Watts, BeBe & CeCe Winans, Kenny Rogers, Travis Tritt, Peter Cetera and Michael McDonald. During his years in Los Angeles, Coil also performed on numerous film and television scores, including Star Trek: The Next Generation, Deep Space Nine, Murphy Brown and Growing Pains, and appeared with artists on The Tonight Show, Arsenio Hall and Conan O’Brien. Now based in Nashville, he continues an active career as a pianist, composer, arranger, producer and educator, and has released several albums as a leader.
Originally from Columbus, Ohio, Dan Hitchcock is a saxophonist with a unique, yet authentic voice. Dan is at home in a wide range of musical styles, and has spent years studying the vast lineage of saxophone greats from the last 100 years. Having a particular affinity with the romantic tenor styles of Stan Getz, Ben Webster, and Lester Young, Dan is often called an old soul. After 2 years living in Nashville, Dan has enjoyed the opportunity to perform with Nashville-based, international touring artists like Sweet Megg, Rome and Duddy, and Post Modern Jukebox, as well performing with staples of the Nashville jazz scene like Bruce Dudley, Andy Reiss, Roland Barber, Nashville Jazz Orchestra, PT Gazzell, Chris Mondak, the Sofia Goodman Group, and many others. Dan has contributed woodwinds to many recordings in the past few years, including Sofia Goodman Group’s downbeat-acclaimed 2023 release “Secrets of the Shore”, where Dan recorded tenor, alto, and soprano saxophones alongside world renowned tenorist Joel Frahm.
Rob Linton is a versatile bassist from Charlotte, North Carolina and a member of the jazz faculty at Vanderbilt University’s Blair School of Music, where he teaches jazz bass and jazz combos. Linton has performed and toured with Eric Reed, Greg Tardy, Dave Potter & Retro Groove and Variego3, while also working with musicians including Don Aliquo, Taber Gable, Jonathan Barber, Stacey Dillard, Mark Boling and many others. In addition to Blair, he has taught at the University of North Carolina at Charlotte, Gardner-Webb University and the University of Tennessee, and previously served as bass instructor for the Knoxville Jazz Workshop. Linton holds a B.A. from the University of North Carolina at Charlotte and an M.M. from the University of Tennessee.
Drummer Marc Widenhofer is an in-demand Nashville jazz musician and educator who also serves on the faculty of Vanderbilt University’s Blair School of Music. A versatile and dynamic drummer, Widenhofer has performed with artists including Houston Person, Roger Pemberton, Ron Bridgewater, Janguen Bae, Bert Ligon, Chip Stephens, Larry Gray, Chip McNeil and the Ryan Middagh Jazz Orchestra. He was also a featured artist at the 2012 Taichung International Jazz Festival, performing with the JB Trio and saxophonist Greg Osby. In addition to teaching at Blair, Widenhofer maintains an active performance schedule throughout Nashville and regularly leads his own ensembles featuring many of the city’s finest jazz musicians.
Pat Coil – piano
Dan Hitchcock - saxophone
Rob Linton – bass
Marc Widenhofer – drums
Pianist Pat Coil is a member of the faculty at Vanderbilt University’s Blair School of Music and has toured throughout Japan, South America, Europe and the U.S. with artists including Michael McDonald, Carmen McRae, Olivia Newton-John, Amy Grant, Vince Gill and Woody Herman. His extensive recording credits include Natalie Cole, Trisha Yearwood, Ernie Watts, BeBe & CeCe Winans, Kenny Rogers, Travis Tritt, Peter Cetera and Michael McDonald. During his years in Los Angeles, Coil also performed on numerous film and television scores, including Star Trek: The Next Generation, Deep Space Nine, Murphy Brown and Growing Pains, and appeared with artists on The Tonight Show, Arsenio Hall and Conan O’Brien. Now based in Nashville, he continues an active career as a pianist, composer, arranger, producer and educator, and has released several albums as a leader.
Originally from Columbus, Ohio, Dan Hitchcock is a saxophonist with a unique, yet authentic voice. Dan is at home in a wide range of musical styles, and has spent years studying the vast lineage of saxophone greats from the last 100 years. Having a particular affinity with the romantic tenor styles of Stan Getz, Ben Webster, and Lester Young, Dan is often called an old soul. After 2 years living in Nashville, Dan has enjoyed the opportunity to perform with Nashville-based, international touring artists like Sweet Megg, Rome and Duddy, and Post Modern Jukebox, as well performing with staples of the Nashville jazz scene like Bruce Dudley, Andy Reiss, Roland Barber, Nashville Jazz Orchestra, PT Gazzell, Chris Mondak, the Sofia Goodman Group, and many others. Dan has contributed woodwinds to many recordings in the past few years, including Sofia Goodman Group’s downbeat-acclaimed 2023 release “Secrets of the Shore”, where Dan recorded tenor, alto, and soprano saxophones alongside world renowned tenorist Joel Frahm.
Rob Linton is a versatile bassist from Charlotte, North Carolina and a member of the jazz faculty at Vanderbilt University’s Blair School of Music, where he teaches jazz bass and jazz combos. Linton has performed and toured with Eric Reed, Greg Tardy, Dave Potter & Retro Groove and Variego3, while also working with musicians including Don Aliquo, Taber Gable, Jonathan Barber, Stacey Dillard, Mark Boling and many others. In addition to Blair, he has taught at the University of North Carolina at Charlotte, Gardner-Webb University and the University of Tennessee, and previously served as bass instructor for the Knoxville Jazz Workshop. Linton holds a B.A. from the University of North Carolina at Charlotte and an M.M. from the University of Tennessee.
Drummer Marc Widenhofer is an in-demand Nashville jazz musician and educator who also serves on the faculty of Vanderbilt University’s Blair School of Music. A versatile and dynamic drummer, Widenhofer has performed with artists including Houston Person, Roger Pemberton, Ron Bridgewater, Janguen Bae, Bert Ligon, Chip Stephens, Larry Gray, Chip McNeil and the Ryan Middagh Jazz Orchestra. He was also a featured artist at the 2012 Taichung International Jazz Festival, performing with the JB Trio and saxophonist Greg Osby. In addition to teaching at Blair, Widenhofer maintains an active performance schedule throughout Nashville and regularly leads his own ensembles featuring many of the city’s finest jazz musicians.
Pat Coil – piano
Dan Hitchcock - saxophone
Rob Linton – bass
Marc Widenhofer – drums
Naama Quartet
8:00pm-10:15pm central, $23 in advance, $25 at the door
"Naama's voice evokes a honeyed warmth...swoops up and plummets down onto a lovestruck madness... her voice drifts onto a pillow of dreams" - Cree McCree, Downbeat Magazine
Inspired by the emotionally direct compositions of great composers and lyricists of the 1930s and ’40s, Naama has established herself as a prominent voice in the New York City jazz scene. Possessed with an urbane and elegant sound, her sensitive interpretation and crisp phrasing have become recognizable elements of her signature style and timeless appeal. Naama invites listeners into an intimate world of song and story - where nostalgia, warmth, and emotional depth intertwine. Each performance unfolds as an intimate musical conversation between past and present, brought to life by Naama’s velvety voice and nuanced phrasing.
Born abroad in 1991, and after relocating to Baltimore, MD at the age of four for a period of four years and becoming infatuated with American culture and music, Naama's parents thought it best for her to study piano. After ten years of studying classical piano, Naama realized that she actually wanted to sing. It was not until high school when she decided to study voice professionally. “I used my grandparent’s graduation gift to pay for lessons with the famous singer Ricki Gal. It was such a big deal for me to study with a master! I can recall the day she said 'You know, you should really be singing jazz.’”
In 2012 Naama was accepted to the The Center for Jazz Studies in Tel Aviv, where she spent three years studying jazz and classical voice. Exposed to new music, she was infatuated by singers like Ella Fitzgerald, Billie Holiday and Frank Sinatra. "I was seduced by the urbane lyrical style along with the beautifully constructed melodies these singers were singing. I immediately felt at home with these songs. I worked on finding my own voice within these standards and found ways to insert fresh concepts, make them interesting."
In 2015 Naama’s ticket to NYC came in the form of a scholarship to attend the prestigious jazz program at The New School For Performing Arts. Soon after she began performing throughout the city and gaining experience as well as respect from soon to be fans and colleagues.
Throughout her time in NYC Naama has shared the stage with celebrated jazz musicians such as Steve Nelson, Dave Kikoski, Bruce Barth, Michael Kanan, David Wong, Ray Gallon, Carlos Abadie, Neal Miner and appears regularly in some of NYC’s major jazz venues - Birdland, Smalls, Mezzrow (weekly residency), The Django and others.
When she isn’t singing Naama spends her time teaching aspiring vocalists as well as instrumentalists in her home studio in the Chelsea neighborhood. Naama emphasizes healthy, natural singing. Her approach combines speech therapy and classical singing technique.
www.naamasings.com
Inspired by the emotionally direct compositions of great composers and lyricists of the 1930s and ’40s, Naama has established herself as a prominent voice in the New York City jazz scene. Possessed with an urbane and elegant sound, her sensitive interpretation and crisp phrasing have become recognizable elements of her signature style and timeless appeal. Naama invites listeners into an intimate world of song and story - where nostalgia, warmth, and emotional depth intertwine. Each performance unfolds as an intimate musical conversation between past and present, brought to life by Naama’s velvety voice and nuanced phrasing.
Born abroad in 1991, and after relocating to Baltimore, MD at the age of four for a period of four years and becoming infatuated with American culture and music, Naama's parents thought it best for her to study piano. After ten years of studying classical piano, Naama realized that she actually wanted to sing. It was not until high school when she decided to study voice professionally. “I used my grandparent’s graduation gift to pay for lessons with the famous singer Ricki Gal. It was such a big deal for me to study with a master! I can recall the day she said 'You know, you should really be singing jazz.’”
In 2012 Naama was accepted to the The Center for Jazz Studies in Tel Aviv, where she spent three years studying jazz and classical voice. Exposed to new music, she was infatuated by singers like Ella Fitzgerald, Billie Holiday and Frank Sinatra. "I was seduced by the urbane lyrical style along with the beautifully constructed melodies these singers were singing. I immediately felt at home with these songs. I worked on finding my own voice within these standards and found ways to insert fresh concepts, make them interesting."
In 2015 Naama’s ticket to NYC came in the form of a scholarship to attend the prestigious jazz program at The New School For Performing Arts. Soon after she began performing throughout the city and gaining experience as well as respect from soon to be fans and colleagues.
Throughout her time in NYC Naama has shared the stage with celebrated jazz musicians such as Steve Nelson, Dave Kikoski, Bruce Barth, Michael Kanan, David Wong, Ray Gallon, Carlos Abadie, Neal Miner and appears regularly in some of NYC’s major jazz venues - Birdland, Smalls, Mezzrow (weekly residency), The Django and others.
When she isn’t singing Naama spends her time teaching aspiring vocalists as well as instrumentalists in her home studio in the Chelsea neighborhood. Naama emphasizes healthy, natural singing. Her approach combines speech therapy and classical singing technique.
www.naamasings.com
Geoff Pfeifer Quartet
11:00pm-1:00am central, $10 at the door
The Geoff Pfeifer Quartet, gritty, edgy, the real deal NYC style jazz. Saxophonist Geoff Pfeifer brings some of Nashville's top jazz cats out, and you'll be sure to feel the energy. Playing a mix of original material and Wayne Shorter tunes.
Geoff Pfeifer, a Nashville based musician and composer, has been living and performing in Nashville since 2005. Geoff studied saxophone with Ted Nash and Ralph Lalama and composition with Mike Holober and Jim McNeely. He is a saxophonist and arranger with the R&B band Chubby and The Dots and plays the 2nd Tenor Saxophone chair in The Establishment Big Band. Geoff has shared the stage with David Liebman, Jim McNeeley, David Amram, Chico O’Farrill, Arturo O’Farrill, Frank Kimbrough, Ben Allison, Michael Blake among many other musicians.
Geoff Pfeifer, a Nashville based musician and composer, has been living and performing in Nashville since 2005. Geoff studied saxophone with Ted Nash and Ralph Lalama and composition with Mike Holober and Jim McNeely. He is a saxophonist and arranger with the R&B band Chubby and The Dots and plays the 2nd Tenor Saxophone chair in The Establishment Big Band. Geoff has shared the stage with David Liebman, Jim McNeeley, David Amram, Chico O’Farrill, Arturo O’Farrill, Frank Kimbrough, Ben Allison, Michael Blake among many other musicians.
Oct 17

Eric Wurzelbacher Organ Trio
5:30pm-7:15pm central, $14 in advance, $15 at the door
Eric Wurzelbacher’s style has been described by Jazz Journal UK as a “foot-tapping mix of hard-bop improv and rock.” Wurzelbacher’s group made its first national appearance at the Newport Jazz Festival in 2019. As a leader and composer, he has released six albums of original music: Eco Quartet (2017), Power (2018), Maya (2019), Idle Minds (2021), Don’t Climb the Towers (2024), and YOUNGBLOODS TRIO (2025).
"If you’re a jazz fan and looking for something that straddles the line between old school and new school, definitely check out Idle Minds" - Big Takeover
"Wurzelbacher has tapped into the soul of music" - Jammerzine
Eric Wurzelbacher - tenor saxophone / leader / composer
Ty Ballie - organ
Josh Cook - drums
"If you’re a jazz fan and looking for something that straddles the line between old school and new school, definitely check out Idle Minds" - Big Takeover
"Wurzelbacher has tapped into the soul of music" - Jammerzine
Eric Wurzelbacher - tenor saxophone / leader / composer
Ty Ballie - organ
Josh Cook - drums
Naama Quartet
8:00pm-10:15pm central, $23 in advance, $25 at the door
"Naama's voice evokes a honeyed warmth...swoops up and plummets down onto a lovestruck madness... her voice drifts onto a pillow of dreams" - Cree McCree, Downbeat Magazine
Inspired by the emotionally direct compositions of great composers and lyricists of the 1930s and ’40s, Naama has established herself as a prominent voice in the New York City jazz scene. Possessed with an urbane and elegant sound, her sensitive interpretation and crisp phrasing have become recognizable elements of her signature style and timeless appeal. Naama invites listeners into an intimate world of song and story - where nostalgia, warmth, and emotional depth intertwine. Each performance unfolds as an intimate musical conversation between past and present, brought to life by Naama’s velvety voice and nuanced phrasing.
Born abroad in 1991, and after relocating to Baltimore, MD at the age of four for a period of four years and becoming infatuated with American culture and music, Naama's parents thought it best for her to study piano. After ten years of studying classical piano, Naama realized that she actually wanted to sing. It was not until high school when she decided to study voice professionally. “I used my grandparent’s graduation gift to pay for lessons with the famous singer Ricki Gal. It was such a big deal for me to study with a master! I can recall the day she said 'You know, you should really be singing jazz.’”
In 2012 Naama was accepted to the The Center for Jazz Studies in Tel Aviv, where she spent three years studying jazz and classical voice. Exposed to new music, she was infatuated by singers like Ella Fitzgerald, Billie Holiday and Frank Sinatra. "I was seduced by the urbane lyrical style along with the beautifully constructed melodies these singers were singing. I immediately felt at home with these songs. I worked on finding my own voice within these standards and found ways to insert fresh concepts, make them interesting."
In 2015 Naama’s ticket to NYC came in the form of a scholarship to attend the prestigious jazz program at The New School For Performing Arts. Soon after she began performing throughout the city and gaining experience as well as respect from soon to be fans and colleagues.
Throughout her time in NYC Naama has shared the stage with celebrated jazz musicians such as Steve Nelson, Dave Kikoski, Bruce Barth, Michael Kanan, David Wong, Ray Gallon, Carlos Abadie, Neal Miner and appears regularly in some of NYC’s major jazz venues - Birdland, Smalls, Mezzrow (weekly residency), The Django and others.
When she isn’t singing Naama spends her time teaching aspiring vocalists as well as instrumentalists in her home studio in the Chelsea neighborhood. Naama emphasizes healthy, natural singing. Her approach combines speech therapy and classical singing technique.
www.naamasings.com
Inspired by the emotionally direct compositions of great composers and lyricists of the 1930s and ’40s, Naama has established herself as a prominent voice in the New York City jazz scene. Possessed with an urbane and elegant sound, her sensitive interpretation and crisp phrasing have become recognizable elements of her signature style and timeless appeal. Naama invites listeners into an intimate world of song and story - where nostalgia, warmth, and emotional depth intertwine. Each performance unfolds as an intimate musical conversation between past and present, brought to life by Naama’s velvety voice and nuanced phrasing.
Born abroad in 1991, and after relocating to Baltimore, MD at the age of four for a period of four years and becoming infatuated with American culture and music, Naama's parents thought it best for her to study piano. After ten years of studying classical piano, Naama realized that she actually wanted to sing. It was not until high school when she decided to study voice professionally. “I used my grandparent’s graduation gift to pay for lessons with the famous singer Ricki Gal. It was such a big deal for me to study with a master! I can recall the day she said 'You know, you should really be singing jazz.’”
In 2012 Naama was accepted to the The Center for Jazz Studies in Tel Aviv, where she spent three years studying jazz and classical voice. Exposed to new music, she was infatuated by singers like Ella Fitzgerald, Billie Holiday and Frank Sinatra. "I was seduced by the urbane lyrical style along with the beautifully constructed melodies these singers were singing. I immediately felt at home with these songs. I worked on finding my own voice within these standards and found ways to insert fresh concepts, make them interesting."
In 2015 Naama’s ticket to NYC came in the form of a scholarship to attend the prestigious jazz program at The New School For Performing Arts. Soon after she began performing throughout the city and gaining experience as well as respect from soon to be fans and colleagues.
Throughout her time in NYC Naama has shared the stage with celebrated jazz musicians such as Steve Nelson, Dave Kikoski, Bruce Barth, Michael Kanan, David Wong, Ray Gallon, Carlos Abadie, Neal Miner and appears regularly in some of NYC’s major jazz venues - Birdland, Smalls, Mezzrow (weekly residency), The Django and others.
When she isn’t singing Naama spends her time teaching aspiring vocalists as well as instrumentalists in her home studio in the Chelsea neighborhood. Naama emphasizes healthy, natural singing. Her approach combines speech therapy and classical singing technique.
www.naamasings.com
Legend Meets Brilliance feat. Don Aliquo & Marc Payne
11:00pm-1:00am central, $10 at the door
Don Aliquo is a celebrated jazz artist in the greater Nashville area. Active for over two decades, he is a respected saxophonist, composer, recording artist, and educator. Pianist, Marc Payne, a Nashville native, is among a handful of young artists whose brilliance inspires and fuels the area's thriving jazz scene. Together they meet to brandish their "no holds barred" approach to the music. Get ready for an explosive night of sound as two of Nashville's jazz titans collide! Together, this dynamic duo is set to unleash their "no holds barred" approach to music, promising an evening of raw energy, spontaneous improvisation, and modernistic genres with one foot in tradition and the other in the future. Experience the thrilling sound that fuels Nashville's vibrant jazz scene!
Oct 18

Wendy Burns’ Ladies of Jazz Show
6:00pm-8:15pm central, $18 at the door
Join one of Nashville’s favorite shows Wendy Burns Music’s Ladies of Jazz Show. Wendy Burns Music's LADIES OF JAZZ SHOW... "It's a Nashville Show to See". Featuring an exciting lineup of talent, Rudy’s Jazz Room's "Ladies of Jazz" showcase presents Nashville's favorite female vocalists collaborating together, displaying a variety of original and distinct vocal talent, backed by some of Nashville’s best and well known musicians.
Wendy Burns
Creator and producer of The Ladies Of Jazz Show, a multi year running show at Rudy’s Jazz Room.
2024 NIMA Award winner / 2022 ALM Nash Hall of Fame Inductee / 2023 & '24 Mississippi Awards Best Jazz / 2025 Southern Music Awards nominee.
Flute playing jazz vocalist Wendy Burns of Nashville TN has studied and performed songs from the 1940's Jazz Big Band era since the age of 9 years old. She has been described as having a unique voice that fits the era. She has performed at the Grand Ole Opry and has sessioned and performed with many of the Nashville classic country greats. With a deep passion for jazz standards.
Wendy believes there's beauty in staying true to the melodies as they were written. Her set list includes songs from the "Great American Songbook", jazz standards, and a number of her fabulous original pieces that reminisce of cherished jazz classics you've never heard. Wendy's influences are Judy Garland, Doris Day, Frank Sinatra, Tommy Dorsey, The Andrew Sisters, and Helen Forrest, to name a few. You will also hear some of her original tunes in vaudeville fashion featuring "Grover" her ukulele.
"She expertly delivers jazz vocals in traditional speakeasy style and displays her exceptional talent on flute as well. She does an excellent job, a true entertainer, she holds her audience and has them laughing with her patter between songs." - Gary Cobb, Nashville Tn
"When singing the classics, I’ve always tried to sing the melodies as close to the original version as possible. I feel you can get closest to the composer's feelings by doing that and by staying within it that realm. To think that someone in a time long ago did their best to put their feelings and words of love on a sheet of paper so that generations ahead would hear it just as it was written is a golden key to a door of a time before that we all need to experience" - Wendy Burns
Roz Clark-Thompson
Critics have been free with accolades for this sensational jazz singer. “A gusty songstress loaded with soul, savvy and style” says Frank Lieberman of the Los Angeles Herald Examiner. The Hollywood Reporter called her “a real stunner, an amazingly versatile talent”. She performed the Tony Award winning role of “Aunt Em and Glenda the Good Witch of The South”, in the Broadway Musical “The Wiz”. She’s toured the world with legends, like Olivia Newton-John, Tom Jones and Engelbert Humperdinck. While opening for various comedians like the Smothers Brothers and Bob Newhart, she also appeared in television performances with Burt Bacharach, Marvin Hamlisch, in addition to several performances on The Johnny Carson Show. Roz a former Warner Bros recording artist has also sung backgrounds with artists CeCe Winans, Donna Summer and Carmen. Don’t miss this extraordinary songstress with a powerful set of pipes sing classic jazz standards like “My Funny Valentine”, “Round Midnight” and "I’m A Woman".
Wendy Burns
Creator and producer of The Ladies Of Jazz Show, a multi year running show at Rudy’s Jazz Room.
2024 NIMA Award winner / 2022 ALM Nash Hall of Fame Inductee / 2023 & '24 Mississippi Awards Best Jazz / 2025 Southern Music Awards nominee.
Flute playing jazz vocalist Wendy Burns of Nashville TN has studied and performed songs from the 1940's Jazz Big Band era since the age of 9 years old. She has been described as having a unique voice that fits the era. She has performed at the Grand Ole Opry and has sessioned and performed with many of the Nashville classic country greats. With a deep passion for jazz standards.
Wendy believes there's beauty in staying true to the melodies as they were written. Her set list includes songs from the "Great American Songbook", jazz standards, and a number of her fabulous original pieces that reminisce of cherished jazz classics you've never heard. Wendy's influences are Judy Garland, Doris Day, Frank Sinatra, Tommy Dorsey, The Andrew Sisters, and Helen Forrest, to name a few. You will also hear some of her original tunes in vaudeville fashion featuring "Grover" her ukulele.
"She expertly delivers jazz vocals in traditional speakeasy style and displays her exceptional talent on flute as well. She does an excellent job, a true entertainer, she holds her audience and has them laughing with her patter between songs." - Gary Cobb, Nashville Tn
"When singing the classics, I’ve always tried to sing the melodies as close to the original version as possible. I feel you can get closest to the composer's feelings by doing that and by staying within it that realm. To think that someone in a time long ago did their best to put their feelings and words of love on a sheet of paper so that generations ahead would hear it just as it was written is a golden key to a door of a time before that we all need to experience" - Wendy Burns
Roz Clark-Thompson
Critics have been free with accolades for this sensational jazz singer. “A gusty songstress loaded with soul, savvy and style” says Frank Lieberman of the Los Angeles Herald Examiner. The Hollywood Reporter called her “a real stunner, an amazingly versatile talent”. She performed the Tony Award winning role of “Aunt Em and Glenda the Good Witch of The South”, in the Broadway Musical “The Wiz”. She’s toured the world with legends, like Olivia Newton-John, Tom Jones and Engelbert Humperdinck. While opening for various comedians like the Smothers Brothers and Bob Newhart, she also appeared in television performances with Burt Bacharach, Marvin Hamlisch, in addition to several performances on The Johnny Carson Show. Roz a former Warner Bros recording artist has also sung backgrounds with artists CeCe Winans, Donna Summer and Carmen. Don’t miss this extraordinary songstress with a powerful set of pipes sing classic jazz standards like “My Funny Valentine”, “Round Midnight” and "I’m A Woman".
Rudy's Jazz Jam
9:00pm-11:15pm central, $12 at the door
Rudy's hosts the official pro jazz jam. Come out and experience some of music city's best as they take the stage with Nashville's next generation of jazz performers! You will hear a variety of young, old, new and undiscovered players showing what they can do on stage. Part of the jazz tradition and what jazz embodies is the unknown and spontaneous exploration of new musical territory with new musicians sitting in live on stage; you never know who or what to expect other than the unexpected!
We welcome all ages to this show and have a $10 food or beverage minimum.
We welcome all ages to this show and have a $10 food or beverage minimum.



